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Not long ago I wrote an article titled Stanhope, the Medium Hidden in a Pen, about tiny photographs embedded in pens, glued to a magnifying lens and viewed by holding them up to the light. In this article, I present a Hungarian Stanhope pen through which we can see the past of Herkulesfürdő (Băile Herculane, now in Romania) through a small window on its side.
Pairing writing instruments with other devices is a long-known solution. Perhaps the process began with the image-viewing Stanhope devices, which I wrote about here, but a watch was also a common accessory (article here), and there was even a revolver fountain pen (article here). Below, we will discuss a stamp pen with decades of tradition, which is still manufactured today and available as a ballpoint pen, but it has not managed to become popular. Older pieces are quite rare.
There are several common threads between the art of fountain pens and watches: both are precision masterpieces, embody timeless beauty, and represent the pinnacle of human ingenuity. Some luxury brands have combined the tools of writing with the marvels of timekeeping. Let's take a look at pen-watches!
When cataloguing their fountain pens, many collectors use small pieces of paper, labels, to register important data. This is being replaced by the development of the tompens, using digital labels, NFC tags.
Writing has always been an integral part of human culture, and the ways in which people have recorded their thoughts and messages have changed over time. The transmission of ideas was boosted by the advent of the postal service, with the appearance of stamps on letters (1840), which gave rise to the world of stamp art, including mail art as a separate genre (1960). In parallel, fountain pens have followed a similar evolutionary trajectory. I have collected memories of the meeting of stamps and pens.
Old glass-tipped pens are a real rarity these days. Drop or tap the end of a nib once and the irreparable breakage only adds to the value of the remaining intact nibs. However, you can also buy new glass pens to enhance your handwriting experience, especially if you use them on a sunny day.
There is a famous French brand in the world, many of whose products have a 1957 date. Although the company Charles Chevignon was founded in 1979, the backdating doesn't really bother either the sellers or the buyers. The odd thing is that not many people have thought about it before, but tompens.com has found out who (or rather who isn't) Charles Chevignon?
Read more: 🇺🇸 The fountain pen for a phantom pilot, Chevignon
I recently came across an interview with a fountain pen maker in a daily newspaper (print) called "Pens that have a soul". Since I have been working with pens, I have regularly come across similar sentiments that pens have a soul. In connection with this title, I decided to investigate the question and, if the pen has a psyche, to dive into the subject as a pen psychologist. The question is a tricky one, since if the conclusion of my reasoning is that pens are soulless, I could easily burn myself with the same diagnosis. So I will make it clear from the outset that whatever the outcome, the question is unprovable. But there are a few things to ponder about whether any object has a soul.
We met Tamás Szűcs in the centre of Budafok, on the outskirts of Budapest, in the Spiller confectionery, where he brought the smallest and largest piece of his fountain pen collection. In our report we introduce the country's only pen restorer, who takes his own photos of his antique pens, which he assembles while reflecting on aesthetic issues and the abstract things in life. Statistically, there is no data on the percentage of the population that uses fountain pens, but it is safe to say that they are mainly used by intellectuals, so don't be surprised if the country's only fountain pen restorer presents the Hungarian prime minister Viktor Orban with an antique pen and even initiates a correspondence with Queen Elizabeth II.
Read more: 🇺🇸 Hungary's fountain pen restorer lives in Budapest, and was received by Viktor Orban
When I was a primary school student in the early 1980s, my friend Lisa brought a strange pen to school. There was a tiny hole at the end of the pen, into which, when glanced, erotic images with content incompatible with socialism appeared. It had a rotating ring, which meant that several enlightening slides appeared when a tiny ring was wound around it. At the time, I had no idea that I was holding the last reminder of a fashion that was almost 100 years old.
Some objects we are so attached to that we would give anything to have them repaired. Especially if a gift from our parents or grandparents is damaged. That's not the case here. The Eversharp pen in the picture was recently purchased from me by my client, but two weeks later it broke. The seemingly hopeless situation was resolved. I will detail the repair of the fountain pen below.
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French-based Waterman pens have been a hallmark of high-quality writing instruments for decades. I use the past tense because I have encountered numerous cases of inferior quality modern Waterman pens being used for fountain pen repairs. Most of the time, either the inside of the nib was eaten away by rust or the metal quality was poor and easily warped. Many of the inscriptions are laser engraved by the Waterman company, which also seems to be a poor quality job compared to other brands. The Carene type is one of the higher quality pens, although the 18 carat gold tip is also laser engraved. However, gravity acts on all nibs, meaning that if dropped, the damage cannot be sustained by even the best quality nib. This was the case with the nib in the picture, but someone had previously tried to repair this nib without much success (the nib would not come out), but the repaired nib had to be repaired again because it often had a problem writing. The top picture is the one taken, the bottom picture is the one of the finished nib. But the work was not easy...
At the temporary exhibition of the National Museum, I came across the aerial photographs of Milán Radisics, entitled Our Footprint - Man's Impact on the Planet (worth seeing as part of the World Press Photo exhibition). Because we rarely look from above, aerial photography alienates and beautifies our environment. From above, only the play of colours, lights and shadows prevails, and only we on the ground suffer the fine details. From a distance, distracting details disappear, but up close, a slice of reality can be shocking. That's how we might see this pen, which looks like a cheerful, lively kiwi, but on closer inspection...
